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Transition Minerals And Indigenous Peoples Spot3 - Khoekhoegowab Language

Fossil fuels and other conventional energy sources release many greenhouse gases that harm the environment. For this reason, there is global talk of the need for a transition towards the use of cleaner energy sources and the development of technologies such as battery storage systems, and other cleaner sources of energy. However, for the creation of these energy sources, so-called “transition minerals” are necessary, the extraction of which increases the danger of new displacements and the dispossession of territories from Indigenous Peoples.

Transition Minerals And Indigenous Peoples Spot4 - Khoekhoegowab Language

Fossil fuels and other conventional energy sources release many greenhouse gases that harm the environment. For this reason, there is global talk of the need for a transition towards the use of cleaner energy sources and the development of technologies such as battery storage systems, and other cleaner sources of energy. However, for the creation of these energy sources, so-called “transition minerals” are necessary, the extraction of which increases the danger of new displacements and the dispossession of territories from Indigenous Peoples.

Transition Minerals And Indigenous Peoples Spot5 - Khoekhoegowab Language

Fossil fuels and other conventional energy sources release many greenhouse gases that harm the environment. For this reason, there is global talk of the need for a transition towards the use of cleaner energy sources and the development of technologies such as battery storage systems, and other cleaner sources of energy. However, for the creation of these energy sources, so-called “transition minerals” are necessary, the extraction of which increases the danger of new displacements and the dispossession of territories from Indigenous Peoples.

Rhythms of Resistance

Jitsvinger (real name Quintin Goliath) is a celebrated South African artist from the Cape Flats known for fusing hip hop, poetry, theatre, and storytelling into a distinctive performance style rooted in Afrikaaps—the vernacular Afrikaans dialect of Cape Town. In this radio interview, Jitsvinger tells us about how his heritage influenced his music. We hear how Indigenous Khoi and San languages mixed with Dutch and languages from others who were brought to South Africa as slaves, contributed to the formation of Afrikaans, and how this heritage influences his music.

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