WCIP Hopi 22: Aw’o’ma’mats’wa, nit’ pu’, hi’ta, pi’ew’, e’ii, tu’tuvenii, ovi’yu’que’teii’
Indigenous Peoples’ participation in many areas of society should be encouraged as they have a range of knowledge to offer, especially with regards to conservation and the importance of biodiversity.
This series of 24 PSAs is based on the Outcome Document of the World Conference on Indigenous Peoples, which took place in September of 2014 in New York. The PSAs highlight specific passages of the Outcome Document in an effort to inform audiences of exactly what the document contains and encourage action.
WCIP Hopi 23: Aw’o’ma’mats’wa, nit’ pu’, hi’ta, pi’ew’, e’ii, tu’tuvenii, ovi’yu’que’teii’
Indigenous Peoples’ knowledge is important for sustainable economic, social and environmental development.
This series of 24 PSAs is based on the Outcome Document of the World Conference on Indigenous Peoples, which took place in September of 2014 in New York. The PSAs highlight specific passages of the Outcome Document in an effort to inform audiences of exactly what the document contains and encourage action.
WCIP Hopi 24: Aw’o’ma’mats’wa, nit’ pu’, hi’ta, pi’ew’, e’ii, tu’tuvenii, ovi’yu’que’teii’
Indigenous Peoples’ knowledge and strategies should be taken into account in the development of national and international environmental policies.
This series of 24 PSAs is based on the Outcome Document of the World Conference on Indigenous Peoples, which took place in September of 2014 in New York. The PSAs highlight specific passages of the Outcome Document in an effort to inform audiences of exactly what the document contains and encourage action.
Rhythms of Resistance
Jitsvinger (real name Quintin Goliath) is a celebrated South African artist from the Cape Flats known for fusing hip hop, poetry, theatre, and storytelling into a distinctive performance style rooted in Afrikaaps—the vernacular Afrikaans dialect of Cape Town. In this radio interview, Jitsvinger tells us about how his heritage influenced his music. We hear how Indigenous Khoi and San languages mixed with Dutch and languages from others who were brought to South Africa as slaves, contributed to the formation of Afrikaans, and how this heritage influences his music.